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              <text>Alain Montois was born in Paris, France, on April 23, 1951. He has a degree in architecture from the French government, working as a liberal architect. During his professional career he collaborated several times with Charles Lavigne. Among his works are the structures of the A14 motorway in France, the structures of the A43 motorway in France, the Peripheral of Lille in France, the Peripheral of Lyon in France, the Cherbourg Station in France, the structures of the &lt;em&gt;LGV Méditerranée&lt;/em&gt; line, the l'île de Ré Bridge in France, the Normandy Bridge in France, the Saint-Rémy-de-Maurienne Bridge in France, the Orgon, Carrières, Chevalde, Blanc, Crempse, La Barricade, La Clidane, La Rauze, Ventabren, Pays de Tulle and the Lille-Flandres railway crossing viaducts in France, as well as the Vasco da Gama Bridge in Lisbon, Portugal. He practices his activity through the studio he created, the Alain Montois Architecte.</text>
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                    <text>TRINDADE, A. coord. (2005). &lt;em&gt;Alberto José Pessoa, 1919-1985, Arquitecto&lt;/em&gt;. Lisboa, Comissão Municipal de Toponimia, Câmara Municipal de Lisboa.</text>
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              <text>Alberto Pessoa was born on April 15, 1919, in Figueira da Foz. In Coimbra, he graduated from high school. In his free time, he devoted himself to painting, having in 1927 his works exhibited for the first time. In 1933, he held another exhibition in Coimbra with Arlindo Vicente. He moved to Lisbon and, in 1942, worked with Lucínio Cruz in the Works Plan Office of Praça do Império, under the guidance of Cottinelli Telmo. In 1943 he graduated from Architecture at the Escola de Belas Artes, in Lisbon. He would return to this school, between 1953 and 1962, to be assistant professor in the project chair of Luís Cristino da Silva.&lt;br /&gt;&lt;br /&gt;Between 1942 and 1945 he participated in several projects for the Cidade Universitária of Coimbra, such as the remodeling of the Central Library of the Faculdade de Letras. Also in 1942 he designed the extra-school centers for the Mocidade Portuguesa. In 1945 he designed the restaurant and garden arrangement of Campo Grande. In 1947, he designed the Cantante da Mota house in Restelo, a work of traditional moulds. In 1947 he worked on a team coordinated by Faria da Costa responsible for the construction and urban plans of Avenida Paris and Praça Pasteur, examples of a transitional urbanism and architecture, with semi-open blocks, rear harnessed for gardens and collective equipment, constituting these experiences Lisbon's first meaningful break with the traditional architecture. With Keil do Amaral he designed several houses and, between 1947 and 1955, equipment for the parks of Monsanto and Eduardo VII, such as the Monsanto Cemetery, the Estufa Fria, the Montes Claros Restaurant and the open-air theatre from Monsanto. That year, he opened his own studio on Avenida Guerra Junqueiro. In 1953, when his studio moved to Avenida João Crisóstomo and welcomed the architect João Abel Manta, he designed the Alvito Children's Park. In 1955 he designed and planned a housing development on Avenida Infante Santo, in Lisbon, with Hernâni Gandra and João Abel Manta. This was a project for the Avenue consisting of multifamily housing, offices, shops, cafes and public facilities, which would be arranged along the entire avenue. The housing complex had an innovative and functional character, the pinnacle of modern architecture. Between 1958 and 1959 he designed the Coimbra Academic Association, which included the Headquarters and the University Stadium. Between 1959 and 1969, together with Pedro Cid and Ruy Jervis d 'Athouguia, he designed the Calouste Gulbenkian Foundation's Headquarters and Museum, considered one of the best works of the twentieth century in Portugal. His activity did not stop there. In 1961 he designed the Porto Autosilo and in 1962 he designed the Areeiro Municipal Swimming Pool. Between 1965 and 1967, he made the Agualva-Cacém Urbanization Plan and the Mira-Sintra Economic Houses Grouping Project. At last, in 1979, he made the Algueirão-Mem Martins Urbanization Plan.&lt;br /&gt;&lt;br /&gt;He was one of the directors of Arquitetura magazine and a consultant to the Universidade de Coimbra Commission. He was also a member of the board of the Sindicato Nacional dos Arquitetos, in the presidencies of Porfírio Pardal Monteiro, between 1948 and 1950, and Inácio Perez Fernandes, between 1951 and 1956. Between 1946 and 1950, he is part of the ICAT group (Iniciativas Culturais Arte e Técnica), where he discussed ideas with renowned architects such as Francisco Keil do Amaral, João Guilherme Faria da Costa, João Simões, Miguel Simões Jacobetty Rosa, Celestino Joaquim de Abreu Castro, Hernani Guimarães Gandra and Raúl Chorão Ramalho. Together with many of these names, he presented at the I National Congress of Architecture the project O Alojamento Coletivo, highlighting the advantages of building in height for the resolution of economic housing. He was a consultant architect for Figueira da Foz City Hall for about 17 years, where he worked with the architect Mário Pereira da Silva. He was responsible for the General Plan for Urbanization of Figueira da Foz, in the 60's and its revision in 1980.&lt;br /&gt;&lt;br /&gt;He won the Valmor Prize in 1950 with the Cantante da Mota house in Restelo and in 1975, together with Pedro Cid and Ruy Jervis d 'Athouguia, for the Calouste Gulbenkian Foundation’s Headquarters and Museum. He was also awarded the 1956 Lisbon Municipal Architecture Prize by Block No. 2 of No. 70 Avenida Infante Santo. On 31 October 1969 he was made officer of the Military Order of Santiago da Espada. Alberto Pessoa died in 1985 in Lisbon.</text>
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              <text>TRINDADE, A. coord. (2005).&amp;nbsp;&lt;em&gt;Alberto José Pessoa&lt;/em&gt;,&amp;nbsp;&lt;em&gt;1919-1985&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Arquitecto&lt;/em&gt;. Lisboa, Comissão Municipal de Toponimia, Câmara Municipal de Lisboa.</text>
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              <text>&lt;p&gt;Álvaro Joaquim Melo Siza Vieira was born in Matosinhos on June 25, 1933. He is the Portuguese architect with the most visibility and international prestige. Admiring the American organic Frank Lloyd Wright, the Austrian hierarchic Adolf Loos and the Finnish naturalist Alvar Aalto, Álvaro Siza Vieira discovered a unique identity path in the conception and construction. Assuming a modernist and avant-garde perspective, noticeable in its architectural forms and meanings, he did not forget the Portuguese traditions and gave them special attention, especially with regard to its minuteness and rigor. He is the son of Júlio Siza Vieira and his wife Cacilda Ermelinda Camacho Carneiro de Melo. His marriage to Maria Antónia Marinho Leite resulted in two children, Joana Marinho Leite Siza Vieira and the architect Álvaro Leite Siza Vieira. Between 1949 and 1955, he studied architecture at the Escola de Belas Artes do Porto. He was a collaborator of Fernando Távora between 1955 and 1958, with whom he developed a strong friendship and creative complicity.&lt;/p&gt;&#13;
&lt;p&gt;He is the author of numerous national projects, including the Boa Nova Tea House in Leça da Palmeira, the Faculty of Architecture of the University of Porto, the University of Aveiro Library, the Serralves Museum of Contemporary Art, the Portuguese pavilion for EXPO'98, the Chiado area reconstruction plan and the emblematic Church of Marco de Canaveses. At the international stage he also affirmed his presence. Among many projects, some stand out. In the Netherlands, in 1985, he directed the Schliderswij Zone 5 Recovery Plan from Hague. In Spain, he outlined the projects for the Barcelona Olympic Villa Meteorological Center, the Galician Museum of Contemporary Art and the Faculty of Information Sciences in Santiago de Compostela. In Germany, he was also responsible for the work of the Schlesisches Tor Kreuzberg station in Berlin. In Italy he carried out the recovery of the Campo di Marte in Venice. In Austria, he remodelled the Winkler casino and cafe in Salzburg. In Brazil, he left his mark at the Iberê Camargo Foundation in Porto Alegre. However, his works are found in many other places, from America to Asia, through other countries such as Belgium, France, South Korea, the United States, Canada, Cape Verde, or even the Vatican, where he was invited by Pope John Paul II to the project of a church. His career is linked to major works of architecture excellence in Portugal and around the world, but also, especially in the post-Twenty-fifth of April years, to a social housing action, namely in Porto, having led interventions aimed at integrating degraded areas in the architectural-landscape experience of the city of Porto.&lt;/p&gt;&#13;
&lt;p&gt;He taught at the Escola de Belas Artes do Porto between 1966 and 1969 and returned to this school as Assistant Professor of "Construction" in 1976. He taught at the Faculdade de Arquitetura of the Universidade do Porto, where he gave his last class in October 2003. He is also a visiting professor at the Ecole polytechnique fédérale de Lausanne in Switzerland, the University of Pennsylvania and Harvard University in the United States, and the Universidad de los Andes in Colombia.&lt;/p&gt;&#13;
&lt;p&gt;He received numerous awards. In 1987, he received the Architecture Award from the Association of Portuguese Architects. In 1982, the Portuguese Section of the International Association of Art Critics awarded him the Architecture of the Year Award. In 1988, he received the Architectural Gold Medal from the Madrid College of Architects, the Alvar Aalto Foundation Medal, the Prince of Wales from Harvard University and the European Architecture Prize from the Commission of the European Communities / Mies van der Rohe Foundation. In 1992 he was awarded the Pritzer Prize for his work as a whole, one of his life milestones. In the same year he was made Grand Officer of the Military Order of Sant'Iago da Espada of Portugal. In 1993 he received the National Architecture Award. In 1999 he was made Grand Cross of the Order of Infante D. Henrique of Portugal. In 1996, 2000 and 2006 he received the Secil Architecture Award. In 2001, he was awarded the Wolf Foundation award and received the Alexandre Herculano National Architecture Award. The year 2002 was full of awards, as well as the following years, until 2005, the year the city keys of Porto were handed over to him. In 2008 he received the Royal Gold Medal for Architecture from the Royal Institute of British Architects. In 2010, he received the Luso-Spanish Art and Culture Award. In 2012 he received the Golden Lion for lifetime achievement at the Venice Architecture Biennale, other of his life milestones. In 2015, he received the "Life and Work Award" from the Portuguese Society of Authors. Finally, in 2017 was made Grand Cross of the Order of Public Instruction of Portugal.&lt;/p&gt;&#13;
&lt;p&gt;Álvaro Siza Vieira is a doctor of honoris causa at the Polytechnic University of Valencia, the École Polytechnique Fédérale de Lausanne, the University of Palermo, the Menendez Pelayo University of Santander, the National University of Ingeniería in Lima, the Universidade de Coimbra, the Universidade Lusíada do Porto, the Federal University of Paraíba, the Università degli Studi di Napoli Federico II of Naples, the University of Architecture and Urbanism Ion Mincu of Bucharest, the Università degli Studi di Pavia, the University of Palermo, the Universidade de Lisboa, the Universidade de Aveiro, the University of Seville, the Politecnico di Milano, the University of Granada and the Universidade de Évora. He is also a member of the American Academy of Arts and Science and Honorary Fellow of the Royal Institute of British Architects, the AIA, the Académie d'Architecture de France and the European Academy of Sciences and Arts.&lt;/p&gt;</text>
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              <text>António Barreiros Ferreira was born in Lisbon, on September 26, 1952. His education began in 1969 with the Artistic Training course at the Sociedade Nacional de Belas Artes. In 1975, he took a course in Urban and Regional Studies at the Instituto Superior de Ciências Sociais e Politicas. However, it was in 1977 that the well-known Portuguese architect finally graduated in architecture from the Escola Superior de Belas Artes in Lisbon. During the period in which he was studying for the profession of architect, António Barreiros Ferreira was a fellow of the Calouste Gulbenkian Foundation from 1971 to 1976. He quickly climbed into the academic world, having started teaching in 1978. He started at the Escola Superior de Belas Artes in Lisbon, where he taught until 1983, followed by the Faculdade de Arquitetura da Universidade Técnica de Lisboa until 1993 and, finally, at the Instituto Superior Técnico since 1998. In this educational establishment he helped to form the new Degree in Architecture. He was responsible for the chairs of Architecture Design I, II and III until 2006 and Architecture Design IV and V until 2013. In 2013 he became Full Professor at Instituto Superior Técnico.&lt;br /&gt;&lt;br /&gt;Regarding his activity as an architect, he was involved with various personalities in the world of architecture, namely with Júlio Sottomayor Neuparth, Maurício de Vasconcellos, Bartolomeu Costa Cabral, António Nunes de Almeida, Manuel Sheppard da Cruz, Arsénio Raposo Cordeiro, Luís Jorge Bruno Soares and João Miguel Pinto Teixeira. He was head of the “Raposo Cordeiro Lda.” office from 1984 to 1991, the year he decided to create the “TETRACTYS Arquitectos” office. It was in this atelier that he designed several references of the contemporary Portuguese architecture, namely Torre do Tombo, the new headquarters of the Lisbon Industrial Fair, the headquarters of Caixa Geral de Depósitos or the Pala de Alcântara, already in the new millennium.&lt;br /&gt;&lt;br /&gt;During his career he has received several awards and his work has been recognized by several national and international publications, namely in "World Architecture", "Vitrea" and "Arquitectura Portuguesa". He also participated in several renowned exhibitions in architecture, such as Expo 2000. He was even decorated, receiving the degree of Grand Officer of the Order of Merit, at the time awarded by the President of the Republic on July 9, 1999.</text>
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              <text>António Pardal Monteiro was born on December 31, 1928, in Pêro-Pinheiro, Sintra. Son of Basilio Pardal Monteiro, an industrialist of marbles and stonework and with whom had direct contact with the construction industry, and Adelina Baptista Pardal Monteiro. He was a well-known Portuguese architect, with a work of excellence, especially in the city of Lisbon. After high school at Liceu Camões, he joined the Escola de Belas Artes in the capital to study architecture, which he ended in 1950. He became known for completing and continuing the work of his uncle, Porfírio Pardal Monteiro, with whom he began working immediately after graduation, and who, after 1957, left his nephew the responsibility to continue his work.&lt;br /&gt;&lt;br /&gt;His most well-known works include interventions at the Cidade Universitária de Lisboa, namely the Reitoria, the Faculdade de Letras and the Faculdade de Direito. Another project that is automatically associated with him is the Biblioteca Nacional, which saw for almost 50 years growing and renovating, having participated in the changes and adjustments introduced to the original project, as well as supporting the execution of practically all the work until its conclusion in 1969. It was at his suggestion that Daciano da Costa was entrusted with the interior arrangements of the General Reading Room, the director's premises and the amphitheater, the most emblematic spaces of the building. He was also in charge of the expansion and remodeling work of the Deposit Tower. His portfolio includes many other projects, namely the Edifcio Arantes and Oliveira Building of the Laboratório Nacional de Engenharia Civil, the Instituto Nacional Dr. Ricardo Jorge, the Escola Nacional de Saúde Pública, the remodeling and expansion of the Instituto Superior Técnico, specifically the two towers of the complex. Among other interventions, António Pardal Monteiro was also involved in the stone conversion of the Padrão dos Descobrimentos between 1958 and 1960.&lt;br /&gt;&lt;br /&gt;Teaching was another great passion of the architect, professor at the Faculdade de Arquitetura de Lisboa from 1976 to 1999, marking several generations of future professionals. António Pardal Monteiro received the title of Knight of the Order of Santiago da Espada, attributed for his contribution in the construction of the central buildings of the Cidade Universitária de Lisboa. He was also a member of the Associação dos Arquitetos Portugueses, the Sociedade Portuguesa de Acústica and the Comissão Nacional Portuguesa de Iluminação. He died on 17 November 2012, in Lisbon, at the age of 84 from a prolonged illness.</text>
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              <text>Cândido Palma de Melo was born in 1922. He was an important Portuguese architect, whose work is affirmed in the framework of the third generation of national modernism. He was the father of three daughters, the two youngest with cerebral palsy. After studying at Casa Pia in Lisbon, he graduated in architecture at the Escola de Belas Artes of Lisbon in 1947. He then attended the First National Congress of Architecture in 1948, presenting a communication on the teaching of architecture in Portugal, along with his colleague Conceição Silva. In the professional field, he began to collaborate in the Keil do Amaral studio between 1945 and 1951. However, in 1955 he decided to set up a studio of his own with Artur Pires Martins. During his career the presence of foreign influences such as Le Corbusier are evident.&lt;br /&gt;&lt;br /&gt;A convinced modernist, he contributed to the “Regulamento Geral das Edificações Urbanas” (RGEU), creating the guidelines that served the current decree of Law 163/06. In the 1950s, he was invited by the Lisbon City Council's Urbanization Studies Office, together with Nuno Teotóneo Pereira, Sommer Ribeiro and Pedro Falcão e Cunha, to give architectural meaning to a whole new field of experimentation. Then arose the constructions of the North and South Olivais, in Lisbon, thus applying in Portugal the Corbusian spirit of the Athens Charter. However, his portfolio is quite extensive and his areas of intervention are not restricted to Portugal. He designed the Lourenço Marques Airport in Mozambique between 1953 and 1963, the Pina Manique Stadium in 1954, the Bonfim Stadium in 1962, the Calouste Gulbenkian Cerebral Palsy Rehabilitation Center in 1965, the Beira Aerogare in Mozambique, the Sal Aerogare in Cape Verde, and Mormagão Aerogare in India between 1963 and 1968, the Varandas da Rocha Tourist Complex in Portimão, between 1981 and 2001, the Yellow and the Manchester Building in Lisbon, between 1977 and 1984, the "Sulfrias" Tourist Complex in Vila Real de Santo António, in 1990, and the Casapiana Solidarity Association Complex in Lisbon, in 1999.&lt;br /&gt;&lt;br /&gt;Palma de Melo was the author of the Calouste Gulbenkian Cerebral Palsy Rehabilitation Center (CRPCCG) project, inaugurated in 1970. He was chairman of the former Portuguese Cerebral Palsy Association from 1980 to 1996 and played a major role in the decentralization process of this association. He designed more Rehabilitation Centers and guided some installation adaptations of the Centers elsewhere. He designed homes adapted for people with disabilities in Porto and Lisbon and created a set of furniture that expressed his concern about social inclusion issues, designed to be used interchangeably by people with or without disabilities. Many of this highly functional furniture is still used today in CRPCCG.&lt;br /&gt;&lt;br /&gt;His career as an architect allowed him to make friends with outstanding figures in the Arts, Culture, Sciences and Politics such as Bento de Jesus Caraça, Manuel Mendes, Keil do Amaral, Teotónio Pereira, Abel Manta, Rafael Botelho, Lopes Graça, José Gomes Ferreira, Cardoso Pires, Pires Martins, Jorge Chaves, Gandra, Martins Correia, Gil Teixeira Lopes, Matilde Marçal, Maria da Graça Andrada, Natália Correia, among many others. A pioneer in the fight against architectural barriers, as is already clear, in the early 1990s Palma de Melo received the Helios Award, given by the European Commission for his work on accessibility. He was also named Honorary Member of the Association of Portuguese Architects in 1994. Cândido Palma de Melo died in 2002 at the age of 80.</text>
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