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              <text>Ruy &lt;span style="background-color: #ffffff;"&gt;de Sequeira Manso Gomes Palma &lt;/span&gt;Jervis d'Athouguia &lt;span style="background-color: #ffffff;"&gt;Ferreira Pinto Basto&lt;/span&gt; was born on January 1, 1917, in Macao. He was the son of Manuel Jervis d’Athouguia Ferreira Pinto Basto and his wife Emilia de Sequeira Manso Gomes Palma. He married Maria Domingas Cirilo de Carvalho Pepulim, with whom he had six children. He attended the Colégio Militar between 1927 and 1936, finishing his studies at the age of 19. He then went to the Escola de Belas Artes in Lisbon. In 1940 he requested a transfer to the Escola de Belas Artes in Porto, where he graduated architecture in 1944. In the northern city he was a student of Carlos Ramos and met with names such as João Anderson and his sister, the poetess Sophia de Mello Breyner e Anderson. He worked at Veloso de Reis Camelo's office and later with Filipe Nobre de Figueiredo and Jorge Segurado, where he resumed an important friendship, complicity and working relationship with Sebastião Formosinho Sanchez. Subsequently, he worked as a liberal professional but was also a collaborator at the Cascais Town Hall for 4 years, where he did important works such as the “Bairro dos Pobres” under the Santa Casa de Misericórdia de Cascais. He was also an urban consultant at Montijo City Hall and Beja City Hall.&lt;br /&gt;&lt;br /&gt;His work in Lisbon includes the "Bairro das Estacas", designed in partnership with Formosinho Sanchez and Maurício de Vasconcelos between 1949 and 1955, the first urban set in Lisbon with the principles of the Charter of Athens, the Primary Schools of the São Miguel neighborhood between 1949 and 1953, adapting the brise-soleil to the window in fulfillment, the Teixeira de Pascoaes School between 1956 and 1961, structured in a pavilion system according to volumes of great purity and poetic abstraction, the Padre António Vieira Secondary School between 1959 and 1964, the housing estate of Alvalade Square, the São Pedro de Abrantes Cineteatro of 1949, and the Infante Tower. His most important work is the headquarters and museum building of the Calouste Gulbenkian Foundation in Lisbon, which he designed in partnership with architects Pedro Cid and Alberto Pessoa between 1959 and 1969. This project was the culmination of a modern speech, revealed in the rationalist principles of the organization of dry and abstract volumes.&lt;br /&gt;&lt;br /&gt;Together with Alberto Pessoa, Pedro Cid, Gonçalo Ribeiro Telles and António Viana Barreto, he won the 1975 Valmor Award for the architectural ensemble of the Calouste Gulbenkian Headquarters, Gardens and Museum. He had already won a prize at the 1960 São Paulo biennial for Alvalade's “Bairro das Estacas”. He used, during his lifetime, the title of 4th Viscount of Atouguia, attributed by the then Council of Nobility. On October 31, 1969, he was made Officer of the Military Order of Santiago da Espada. In December 2003, the Ordem dos Arquitetos organized at the Galveias Palace in Lisbon a retrospective exhibition of his work, integrated in the theme &lt;em&gt;Architects of the Modern Generation&lt;/em&gt;. Ruy Jervis d'Athouguia died in Cascais, July 21, 2006.</text>
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                    <text>&lt;em&gt;Faleceu António Pardal Monteiro (1928-2012), Arquiteto da Biblioteca&amp;nbsp;&lt;/em&gt;(2012). Biblioteca Nacional de Portugal, [online]. Available at: http://www.bnportugal.gov.pt/index.php?option=com_content&amp;amp;view=article&amp;amp;id=755%3Aantonio-pardal-monteiro&amp;amp;catid=162%3A2012&amp;amp;Itemid=786&amp;amp;lang=pt [Accessed 8 Oct. 2019]</text>
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              <text>António Pardal Monteiro was born on December 31, 1928, in Pêro-Pinheiro, Sintra. Son of Basilio Pardal Monteiro, an industrialist of marbles and stonework and with whom had direct contact with the construction industry, and Adelina Baptista Pardal Monteiro. He was a well-known Portuguese architect, with a work of excellence, especially in the city of Lisbon. After high school at Liceu Camões, he joined the Escola de Belas Artes in the capital to study architecture, which he ended in 1950. He became known for completing and continuing the work of his uncle, Porfírio Pardal Monteiro, with whom he began working immediately after graduation, and who, after 1957, left his nephew the responsibility to continue his work.&lt;br /&gt;&lt;br /&gt;His most well-known works include interventions at the Cidade Universitária de Lisboa, namely the Reitoria, the Faculdade de Letras and the Faculdade de Direito. Another project that is automatically associated with him is the Biblioteca Nacional, which saw for almost 50 years growing and renovating, having participated in the changes and adjustments introduced to the original project, as well as supporting the execution of practically all the work until its conclusion in 1969. It was at his suggestion that Daciano da Costa was entrusted with the interior arrangements of the General Reading Room, the director's premises and the amphitheater, the most emblematic spaces of the building. He was also in charge of the expansion and remodeling work of the Deposit Tower. His portfolio includes many other projects, namely the Edifcio Arantes and Oliveira Building of the Laboratório Nacional de Engenharia Civil, the Instituto Nacional Dr. Ricardo Jorge, the Escola Nacional de Saúde Pública, the remodeling and expansion of the Instituto Superior Técnico, specifically the two towers of the complex. Among other interventions, António Pardal Monteiro was also involved in the stone conversion of the Padrão dos Descobrimentos between 1958 and 1960.&lt;br /&gt;&lt;br /&gt;Teaching was another great passion of the architect, professor at the Faculdade de Arquitetura de Lisboa from 1976 to 1999, marking several generations of future professionals. António Pardal Monteiro received the title of Knight of the Order of Santiago da Espada, attributed for his contribution in the construction of the central buildings of the Cidade Universitária de Lisboa. He was also a member of the Associação dos Arquitetos Portugueses, the Sociedade Portuguesa de Acústica and the Comissão Nacional Portuguesa de Iluminação. He died on 17 November 2012, in Lisbon, at the age of 84 from a prolonged illness.</text>
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              <text>PASCOAL, A. (2010). &lt;em&gt;A cidade do saber&lt;/em&gt;, &lt;em&gt;Estudo do património artístico integrado nos edifícios projectados pelo arquitecto Porfírio Pardal Monteiro para a Cidade Universitária de Lisboa (1934-1961)&lt;/em&gt;. Master Thesis. Faculdade de Letras da Universidade de Lisboa.</text>
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                    <text>&lt;em&gt;Com o Arquitecto Luís Benavente&amp;nbsp;&lt;/em&gt;(2017) Fundação Troufa Real - UKUMA, [online]. Available at: &lt;span style="background-color: #ffffff;"&gt;http://www.ukuma.net/wp/2017/05/08/luis-benavente/&lt;/span&gt; [Accessed 8 Oct. 2019]</text>
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              <text>Luís Benavente was born in Lisbon, on May 6, 1902. Son of Antonio Carlos das Neves Benavente and Adelaide Victorina Ferreira Marques Benavente, he married Alice Benavente. Growing up in an environment connected to construction and architecture, he followed the family's footsteps and attended the Escola de Belas Artes of Lisbon, starting studying architecture in 1925. He would finish it at the Escola de Belas Artes of Porto in 1930. Soon after his graduation he started working, for three years, in the studio of Porfírio Pardal Monteiro, with architects such as Rodrigues Lima and Veloso Reis Camelo. During his time working with a famous architect, he collaborated in the design and construction of, among others, Instituto Superior Técnico.&lt;br /&gt;&lt;br /&gt;His political career began in 1934, when he was invited by Duarte Pacheco to work as a delegate for the Ministry of Public Works. He began to be responsible for the works commissions in Coimbra, between 1934 and 1938. During this period, he made a lot of interventions in the city. With Raul Lino, he developed a plan for the remodeling of the Cidade Universitária de Coimbra in 1934. Later that year, he remodelled of the Claustro da Manga, a work that took place in 1935. He collaborated in the renovation and modernization of the Sanatório de Celas. He designed the Hospital Sobral Cid and completed the work of the Hospital dos Cavões in 1936. He was appointed to the Machado de Castro Museum's commissioning committee. Finally, he was also part of the commission responsible for the recovery of the city's upper zone.&lt;br /&gt;&lt;br /&gt;The following years were spent in Lisbon. There, he also collected a wide range of interventions. Planned the Bairro do Camarão in 1938, the same year that was responsible for the recovery of Foz Palace. He designed between 1939 and 1942 the Bairro Madre de Deus and the Mercado de Arroios, the Primary Schools for the parish of São José in 1941, completed in 1944 and 1947. He participated, together with architect Paulino Montez, in the first studies for the urbanization of the Olivais Sul area in 1943. Finally, he designed the new headquarters for the Automobile Club of Portugal at Rua Rosa Araújo. between 1947 and 1952, his own home in 1955 and the Teatro das Laranjeiras between 1973 and 1977. Also in Lisbon, as a delegate of the Ministry of Public Works, he was a member of the Commission to study the measures to be taken in case of war, with a view to the protection of cultural property. In 1952, however, he was appointed director of the National Monuments, during which he was a guide to Queen Elizabeth II of England’s visit to Portugal. Years before, in 1947, he projected the building for the Embassy of Portugal in London. The project was completed between 1953 and 1954. From 1948 to 1951, he projected a chapel dedicated to Nossa Senhora de Fátima in Rome, which was privately funded. He was a member of the respective executive committee.&lt;br /&gt;&lt;br /&gt;With regard to heritage, between 1951 and 1952, he adapted the west wing of the Palácio de Belém for the president General Craveiro Lopes. Between 1953 and 1954 he developed a project for the Igreja de Santa Engrácia, which should be adapted to the National Pantheon. He applied his technical knowledge in the areas of restoration in Seteais between 1953 and 1955. He intervened in the works of the Palácio da Berlenga in 1952, in Paço de Guimarães between 1954 and 1956, in Palácio da Vista Alegre between 1959 and 1962, in Mosteiro Flor da Rosa, with restoration work for a hotel in 1968, and in Palácio Sottomayor in Condeixa between 1973 and 1987.&lt;br /&gt;&lt;br /&gt;Between the late 1950's and early 1970's he worked for the Ultramar Ministry, performing heritage-level works on overseas missions, including churches, fortresses in São Tomé, Cape Verde, Bissau, Guinea and India. He also visited other places with Portuguese architectural heritage, such as Ghana, South Africa, Ethiopia, Hormuz, Malacca and Sacramento, guaranteeing also the surveying and protecting of the heritage of Angola, Mozambique, Macau and Timor. He was a delegate of Portugal to the international commission that drafted the Venice Charter (Carta de Veneza) – document of 1964 on the conservation and restoration of heritage following the II International Congress of Architects and Technicians of Historical Monuments. The Venice Charter led to the creation of another UNESCO dependent body, the International Council of Monuments and Sites (ICOMOS) of which Luís Benavente was a founding partner. Luís Benavente died in 1993 at the age of 91.</text>
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              <text>MARIZ, V (2011). &lt;em&gt;De Atenas a Veneza, O percurso do arquitecto Luís Benavente&lt;/em&gt;. Lisboa: Atas do Simpósio Património em Construção, Contributos para a sua preservação, Instituto de História da Arte, Faculdade de Letras da Universidade de Lisboa, pp. 49-56.</text>
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              <text>José Belard da Fonseca was born on August 2, 1889 in Chamusca, Santarém. He was the son of the 2nd Viscount of Santa Margarida, Coronel António Belard da Fonseca, of Spanish descent, and his wife Emilia Palyart Pedroso, of French descent. In 1931, he married Rosa Cancela Ferreira Tavares in Mogofores, Anadia. From their marriage two daughters were born, Maria Emilia Belard da Fonseca and Isabel Belard da Fonseca. In 1921, he graduated in civil engineering at the Instituto Superior Técnico (IST), becoming, in the academic year 1920-1921, an assistant professor. It was not until 1942 that he came to the position of full professor. That same year he was elected director of the IST, a position he would hold until 1958. From that year he was vice-rector of the Universidade Técnica de Lisboa, where he remained until 1963. In the academic universe he was also assistant to the Industrial Institute of Lisbon, that would later become Instituto Superior de Economia e Gestão, between 1923 and 1924. He published several articles for specialized magazines and newspapers, namely on reinforced concrete construction, a specialty of his. Among many stand out &lt;i&gt;Momentos flectores nas construcções hiperstálicas&lt;/i&gt;, &lt;i&gt;Curso de Resistência de Materiais e Estabilidade das Construções &lt;/i&gt;and &lt;em&gt;A Irrigação no Egipto&lt;/em&gt;. He directed the “Época Industrial” section of the &lt;em&gt;A Época&lt;/em&gt; newspaper and was the director of the &lt;em&gt;Técnica&lt;/em&gt; magazine.&lt;br /&gt;&lt;br /&gt;He was responsible for numerous works of great importance to the country. He designed the structures of the Instituto Nacional de Estatística, the Palácio Ford, the Igreja de São Julião, the Igreja de Nossa Senhora do Rosário de Fátima, the Teatro Capitólio, the Monte Gordo Casino in Algarve, the Café Portugal, among others. Apart from the works where he intervened individually, Belard da Fonseca also has a large number of works in the name of his construction company, including the construction of the Porto do Funchal.&lt;br /&gt;&lt;br /&gt;During his life he accumulated many positions, in addition to academic ones. He was a vowel, between 1926 and 1929, vice-president, between 1929 and 1932, and also chairman of the board of directors, current chairman of the Order of Engineers, between 1947 and 1950, of the Directorate of Portuguese Civil Engineers. He was also vice-president of the International Association of Bridges and Structures in 1954, being simultaneously chairman of the Portuguese commission, member of the Organizing Committee of the First National Congress of Civil Engineering in 1931 and chairman of the Organizing Committee of the Second National Congress of Civil Engineering in 1948. He was a member of the commissions responsible for regulating reinforced concrete construction between 1933 and 1935. He represented both the Instituto Superior Técnico and the Association of Civil Engineers abroad in Cairo, Brussels and Algiers. He was director of the Sociedade de Empreitadas e Trabalhos Hidráulicos and chairman of SECIL's Board of Directors. Following these administrative positions, he was a prosecutor for the Corporate Chamber as a representative of construction companies between 1935 and 1942.&lt;br /&gt;&lt;br /&gt;In life he was honored with numerous titles. Commander of the Ordem Militar de Cristo of Portugal in 1936, Officer of the Great Decor of the Nile of Egypt in 1947, Commander of the Order of Dannebrog of Denmark in 1947, Knight of the Equestrian Order of the Holy Sepulcher of Jerusalem of the Vatican or of the Holy See, Knight of the Order of Saint Sylvester Pope of the Vatican or Holy See and Grand Officer of the Order of Merit of West Germany in 1957, Grand Officer of the Ordem da Instrução Pública of Portugal in 1963 and Grand Officer of the Ordem de Benemerência of Portugal in 1969. José Belard da Fonseca died at the age of 79, in Lisbon, on July 4, 1969.</text>
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              <text>Eduardo Evangelista do Carvalhal was born in Chaves, in the Vila-Real district, on December 10, 1885. Son of Joaquim Maria Evangelista do Carvalhal and Maria do Carmo Carvalhal, he was an important Portuguese civil engineer. Among the projects that he intervened are the Faculdade de Letras, the Faculdade de Direito and the Reitoria of the Universidade de Lisboa, being him a member of the Administrative Commission of the New University Buildings. Also noteworthy are his interventions at the Hospital de Santa Maria, in Lisbon, where he did the study and calculation of the engineering project and construction contract, and at the Hospital de São João, in Porto.&lt;br /&gt;&lt;br /&gt;However, one of his outstanding works is the fábrica de briquetes of Mina do Espadanal. The architectural and structural design of the factory was developed by the engineering office of Eduardo Evangelista do Carvalhal, similar to the design of volumes and elevations of the main body of the project of A Nacional factory, in Lisbon, by Pardal Monteiro, built almost simultaneously, between 1948 and 1952. This project is a unique work, due to its architectural quality and technological innovation in the construction of mining accessories in Portugal, whose uniqueness is due to the investment of important public economic and technical resources in the exploration of the Rio Maior lignite deposit as a strategic fuel reserve for the Lisbon region during World War II and post-war. The value of the architectural design of the fábrica de briquetes was recognized by the Order of Architects in inventing it in the Portuguese Architecture Survey of the 20th Century, held in 2006. Out of a total of 6112 nationally inventoried works, the Mina do Briquettes factory was one of 12 selected buildings in the municipality of Rio Maior.&lt;br /&gt;&lt;br /&gt;He was a student at the Military College in Lisbon. One of the disciplines that pleased him most and became a hobby for the rest of his life was shooting. He was even awarded in several shooting events as &lt;em&gt;alumno premiado&lt;/em&gt;. Eduardo Evangelista do Carvalhal died on August 4, 1972, at the age of 86, in Lisbon.</text>
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              <text>Projeto de Resolução N.º 2241/XIII/4.ª (2019-06-28). &lt;i&gt;Grupo Parlamentar do Partido Comunista Português&lt;/i&gt;. Recomendação ao Governo que adote o procedimento necessário para a classificação do conjunto edificado composto pela fábrica de briquetes e plano inclinado da Mina do Espadanal, em Rio Maior, enquanto património de interesse público.</text>
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              <text>PINTO, H. (2015). &lt;em&gt;A Cura e a Arquitetura, História da Arquitectura Hospitalar Portuguesa na Época Contemporânea, Da Programação à Tipologia Arquitectónica&lt;/em&gt;. PhD Thesis. Faculdade de Arquitetura da Universidade de Lisboa.</text>
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              <text>SIMÕES, P. (1903).&amp;nbsp;Real Collegio Militar,&amp;nbsp;&lt;em&gt;Tiro Civíl&lt;/em&gt;, Ano IX (Nº 268), pp. 1-3.</text>
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